More On the Corrupt Baltimore Studio
Here is further data on the spurious persons whom I claim are hacking this blog. There is a unrecognized SCORCHED EVENT in the United States. Persons in this country can no more be accomplices to corrupt officials and commit crimes with these corrupt police persons.
What is totally unique is that the cell of LAPD and this Studio are gay or bisexual. In there minds they believe at least LAPD does, that relative morality gives such licence to commit acts.
They also believe that I will be constrained if the GLBT persons see such. Right here on technocrati tags and Ice Rocket there are substantial amounts of bloggers in this group.
I just emailed Lamba and AI I believe Guiterrez one half hour ago.
I will not be constrained. I am emailing the House of Represenative Committees on Homeland Security and Intelligence now on this issue.
Whatever support you can muster with your crony deals is inept and criminal.
Be ready to go to court and write History.
I will prosecute you.
Dateline 10-10-04
The next issue at hand is to define The Baltomore Studio.
The LAPD are attempting to glorify the Baltimore Studio while at the same time subjected such. Here are the code names for the alleged members of the Baltimore Studio who run the syclavier digital processor which essentially creates and mutilates evidence.
Arron Schearer-pianist, not the famous classic guitar teacher. Alleged to be in the late fifties.
Bo Diddle I-the owner and guitaist.
Bo Diddle II-a guiraist.
Mr.Original-Second piano.
George Benson-not the famous jazz guitarist-bassist and guitarist.
Escuche-a guitarist
Steve Vai- not the famous rock guitarist, a guitarist. Real name Jim.
The intent in the glorification of the studio is to preserve the mechanisms which are the machinery of torture (machine theory). By using distributive justice LAPD has divided the labour of the system. Similar to checks and balances, this permits the conspiracy to reassemble itself in the event of a strike.
In short, by using profiling and conditioning it was predicted that if this event was to occur I would respond favorably to the Baltimore Studio. It is historically clear since June 0f 1987 that this group has no moral or legal basis for its activities and I have not supported such as the records in the docket would indicate.
The docket is available at http://powereality.tripod.com
Here the Baltimore Studio is argued as my teachers which is a farce. I was a formally sight reading and harmonically trained musician at the junior college level. This being in as of 1984. This event sysytematic torture began in June of 1987. This studio's credentials were of a jouneyman chops and licks mode. I still do not believe save for a few musicians and tunes that this studio has any through composed material.
Corruption and pop-hoax that is identity based is only a small part of the problem. Plagiarism and slander are the order of the day. Creation of a piece of art as music is the issue. I have numerous pieces that have been composed for years which I have not formally notated. Two which are important are Jharikanda and Ecce Homo.
LAPD, The Flies, Caan, dealers, or whatever label nom de guerra is being used which to posit Aarron allegedely of 61 years of age as the composer of Jharikhanda and Jim as the composer of Ecce Homo.
Jharikhanda is based on a rondo form and has been a 15 minute plus song that is basically oblique with some counterpoint and flamneco that is played PIMA. I wrote it fulfill recital qualifications which for a senior would be a 10 minute piece in a one hour recital.
Ecce Homo was a brekthrough piece that reminds one of The Song Remains the same. I figure this is due to the chord stops that are used in British acoustic music.
I hopefully will transcribe and copyright both songs this year.
techncorati tags:
Homeland Security
Human Rights
Journalism
What is totally unique is that the cell of LAPD and this Studio are gay or bisexual. In there minds they believe at least LAPD does, that relative morality gives such licence to commit acts.
They also believe that I will be constrained if the GLBT persons see such. Right here on technocrati tags and Ice Rocket there are substantial amounts of bloggers in this group.
I just emailed Lamba and AI I believe Guiterrez one half hour ago.
I will not be constrained. I am emailing the House of Represenative Committees on Homeland Security and Intelligence now on this issue.
Whatever support you can muster with your crony deals is inept and criminal.
Be ready to go to court and write History.
I will prosecute you.
Dateline 10-10-04
The next issue at hand is to define The Baltomore Studio.
The LAPD are attempting to glorify the Baltimore Studio while at the same time subjected such. Here are the code names for the alleged members of the Baltimore Studio who run the syclavier digital processor which essentially creates and mutilates evidence.
Arron Schearer-pianist, not the famous classic guitar teacher. Alleged to be in the late fifties.
Bo Diddle I-the owner and guitaist.
Bo Diddle II-a guiraist.
Mr.Original-Second piano.
George Benson-not the famous jazz guitarist-bassist and guitarist.
Escuche-a guitarist
Steve Vai- not the famous rock guitarist, a guitarist. Real name Jim.
The intent in the glorification of the studio is to preserve the mechanisms which are the machinery of torture (machine theory). By using distributive justice LAPD has divided the labour of the system. Similar to checks and balances, this permits the conspiracy to reassemble itself in the event of a strike.
In short, by using profiling and conditioning it was predicted that if this event was to occur I would respond favorably to the Baltimore Studio. It is historically clear since June 0f 1987 that this group has no moral or legal basis for its activities and I have not supported such as the records in the docket would indicate.
The docket is available at http://powereality.tripod.com
Here the Baltimore Studio is argued as my teachers which is a farce. I was a formally sight reading and harmonically trained musician at the junior college level. This being in as of 1984. This event sysytematic torture began in June of 1987. This studio's credentials were of a jouneyman chops and licks mode. I still do not believe save for a few musicians and tunes that this studio has any through composed material.
Corruption and pop-hoax that is identity based is only a small part of the problem. Plagiarism and slander are the order of the day. Creation of a piece of art as music is the issue. I have numerous pieces that have been composed for years which I have not formally notated. Two which are important are Jharikanda and Ecce Homo.
LAPD, The Flies, Caan, dealers, or whatever label nom de guerra is being used which to posit Aarron allegedely of 61 years of age as the composer of Jharikhanda and Jim as the composer of Ecce Homo.
Jharikhanda is based on a rondo form and has been a 15 minute plus song that is basically oblique with some counterpoint and flamneco that is played PIMA. I wrote it fulfill recital qualifications which for a senior would be a 10 minute piece in a one hour recital.
Ecce Homo was a brekthrough piece that reminds one of The Song Remains the same. I figure this is due to the chord stops that are used in British acoustic music.
I hopefully will transcribe and copyright both songs this year.
techncorati tags:
Homeland Security
Human Rights
Journalism
posted by Kronin at 11:25 AM
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